Taibo Bacar is a big Award Winning Mozambican Fashion House. Known for his great womenswear fashion silhouettes and style he is definitely one to watch. He just released his F/W 2014/15 Collection called "Mademoiselle Bacar" which represents how a woman should be in Taibo Bacar eyes - Stylish and Elegant. The collection is made up of vibrant colours from white, blue, black to yellow. 
To get more details about the collection, visit www.taibobacar.com
Join their Facebook page:  Taibo Bacar
Follow Taibo Bacar on Twitter at  @TAIBOBACAR
For sales enquiries: sales.clientservice@taibobacar.com, For info:  djamila.sousa@taibobacar.com
CHECK OUT BELOW FOR THE FULL MADEMOISELLE BACAR COLLECTION. 


Photography: Joca Faria
Model: Tatiana Ismael
Hair: Olímpia Pinto Cabeleireiros
Make-Up: Candice Kuit

Menswear label owned by Ivorian designer Laurence Chauvin Buthaud  brings us her Spring/Summer Collection filled with pastel colours and asymmetrical prints. The design brings together modern European Spring looks infused with African styles. The photographs are bright, light and stunning thus bringing a perfect blend to the lookbook.

CHECK OUT BELOW FOR THE FULL LOOKBOOK:
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Photo Credit:
Photography: Willem Jaspert
Models: Romeo & Ismael
Photo Credit: www.laurenceairline.com

If you have noticed over our many posts Duro Olowu has been one of our favourite designer as his work is always featured on our blog. Duro Olowu's  latest collection found him exploring volume, with an emphasis on dramatic, variously patchworked or embellished cape coats and jackets. Much as you'd expect, these pieces had force. But the real charm of this collection was its easy-going spirit, and that derived from the less oracular looks—the ones that compelled you via subtle gestures. A case in point was Olowu's camisoles: As he explained, he set himself the task this season of making the perfect cami—one not too bare, or too short, or too long, that could be worn layered or on its own, and that had a bias-cut fit that just brushed the body. Olowu scored with his double-hem print dresses, and with pieces in a seventies-style check, and with peasant like cotton skirts and frocks detailed with contrasting Austrian lace. There was a kind of bohemian looseness here, minus any overt homage to the stereotypically "bohemian." Olowu is too deep a thinker for that; he knows what it is to be iconoclastic.